28.9.09

the art of nothing

Thomas J. Elpel

Westerners who first met the Shoshonean bands of Indians in the Great Basin Desert typically described them as being "wretched and lazy". Many observers remarked that they lived in a total wasteland and yet seemed to do nothing to improve their situation. They built no houses or villages; they had few tools or possessions, almost no art, and they stored little food. It seemed that all they did was sit around and do nothing.

The Shoshone were true hunter-gatherers. They spent their lives walking from one food source to another. The reason they did not build houses was because houses were useless to them in their nomadic lifestyle. Everything they owned they carried on their backs from place to place. They did not manufacture a lot of tools or possessions or art, because it would have been a burden to carry.

We often expect that such primitive cultures as the Shoshone must have worked all the time just to stay alive, but in actuality these were generally very leisured peoples. Anthropological studies in different parts of the world have indicated that nomadic hunter-gatherer type societies typically worked only two or three hours per day for their subsistence. Like the deer and other creatures of the wild, hunter-gatherer peoples have nothing more to do than to wander and eat.

The Shoshone had a lot of time on their hands only because they produced almost no material culture. They were not being lazy; they were just being economical. Sitting around doing nothing for hours on end helped them to conserve precious calories of energy, so they would not have to harvest so many calories each day to feed themselves.

Today many of us westerners find ourselves fascinated with these simple cultures, and a few of us really dive into it to reproduce or recreate the primitive lifestyle. In our typical western zeal we get right into it and produce, produce, produce. We work ambitiously to learn each primitive craft, and we produce all kinds of primitive clothing, tools, containers, and art, and just plain stuff. True hunter-gatherer cultures carried all their possessions on their backs, but us modern primitives soon find that we need a pickup truck just to move camp! In our effort to recreate the primitive lifestyle we find that we have ironically missed our mark completely-- that we have made many primitive things, but that we have not begun to grasp the true nature of a primitive culture. To truly grasp that essence requires that we let go, and begin to understand the art of doing nothing.

Understanding the art of nothing is a somewhat challenging concept for us westerners. When we go on a "primitive" camping trip, we take our western preconceptions with us. We find a level spot in a meadow to build our shelters, and if a site is not level then we make it so. Then we gather materials and start from scratch, building the walls and roof of a shelter. We do what we are accustomed to; we build a frame house on a surveyed plot in the meadow. Then we gather materials and shingle our shelter, regardless of whether or not there is a cloud in the sky, or whether or not it has rained at all in a month.

Part of the reason we act this way stems from our cultural upbringing. Another part of it is simply because it is easier for those of us who are instructors to teach something rather than to teach nothing. It is much easier to teach how to make something than to teach how not to need to make anything. The do-something approach to primitive skills is to make everything you need, while the do-nothing method is to find everything.

For example, the do-nothing method of shelter is to find shelter, rather than to build it. Two hours spent searching for a partial shelter that can be improved upon can easily save you two hours of hard-working construction time, and you will usually get a better shelter this way. More so, the do-nothing method of shelter is to look first at the incoming weather, and to build only what is needed. If it is not going to rain then you may be able to do-nothing to rain-proof your shelter. Then perhaps you will only need to put your efforts into a shelter that will keep you warm, instead of both warm and dry.

There are many things, both small and large, that a person can do, or not do, to better the art of doing nothing. This can be as simple as cupping one's hands to drink from the stream, instead of making and carrying a cup, to breaking sticks to find a sharpened point, rather than using a knife to methodically carve out a digging stick. Hand carved wooden spoons and forks are do-something utensils that you have to manufacture, carry, and worst, that you have to clean. But chopsticks (twigs) are do-nothing utensils that do not need to be manufactured or carried, and you can toss them in the fire when you are done.

Henry David Thoreau wrote of having a rock for a paperweight at his cabin by Walden pond. He threw it out when he discovered he had to dust it. This is the very essence of a do-nothing attitude.

The do-nothing approach to primitive skills is something that you do. Doing nothing is a way of saving time and energy, so that you can finish your daily work more effectively. One thing that I have found through the years of experimental research into primitive skills, is that there is rarely enough hours in a day to complete all of a day's tasks. It is difficult to go out and build a shelter, make a working bowdrill set, set traps, dig roots, make bowls and spoons, and cook dinner. Hunter-gatherer societies succeeded in working only two to three hours per day, yet in our efforts to reproduce their lifestyle we end up working all day.

Doing nothing is an approach to research; it is a way of thinking and doing. For instance, I do a lot of timed studies of various primitive skills: i.e.: how long does it take to construct a particular shelter? How much of a particular food resource can I harvest per hour? Can I increase the harvest using different gathering techniques? One thing I have noted is that it is only marginally economical to manufacture common primitive deadfall traps. It is time intensive; it adds weight to carry, and the traps often have short life-spans. The do-nothing alternative is to use whatever is at hand, to pick up sticks and assemble them into a trap, without even using a knife. Preliminary tests of this "no-method" have produced results equal to conventional, carved and manufactured traps, but with a much smaller investment of time.

Primitive hunter-gatherer type cultures were very good at doing nothing. Exactly how well they did this is difficult to determine, however, because doing nothing leaves nothing behind for the archaeological record. Every time we find an artifact we have documentation of something they did; yet the most important part of their skills may have been what they did not, and there is no way to discover what that was by studying what they did.

Nevertheless, what you will discover for yourself, as you learn the art of doing nothing is that you are much more at home in the wilderness. No longer will you be so dependent on a lot of tools and gadgets; no longer will you need to shape the elements of nature to fit our western definitions. You will find you need less and less, until one day you find you need nothing at all. Then you will have the time on your hands so that you can choose to do nothing, or even to go do something.

(Thomas J. Elpel is the director of Hollowtop Outdoor Primitive School in Pony Montana)
http://www.primitivism.com/nothing.htm

21.9.09

Donald Rumsfield,Starhawk and Wicca

19.9.09

Mask-Mirror on the wall


shall I go without one, today?

I am curious to explore the faces behind the masks?
What is the real face? how many masks does an average person change daily?
I want to explore the very need for a mask .
Is it that we are afraid of revealing or is it that the very act of hiding is a noble deed?
What is the truer altruism,is it beneficial for the fellow
human beings if one is constantly shrouding their true self behind masks that perhaps serve a higher purpose as the masks hide ,thus save us from the more sinister (my/your/our) Selfs. 

18.9.09

open doors

Open doors,on one hand represent an open mind and in that respect I implore that state of mind in myself and others,who I interact with through my work or in my daily life.
Viewed in anaother dimension,a doorway is also symbolic of a channel through which ideas,thoughts and information can be move.

Ancient ones recognized this link in their ceremonies, which they considered as doorways between this life and the beyond. Their Rites of Passage represented a handing over of the 'baton of experience' from the elders to the youth. 
Today,we need such ceremonies ,now more than ever, as we need to step forth from the lessons of the past, from within and without,to the possibility of tomorrow.

In this composition,I felt,the pictures framed on the walls in the Passage, representing the mistakes and glories of the past whilst the open doorway beckons to the future ,where an elder who once walked this planet (albeit in Orange heels) is raring to hand over the keys to the Pi(u)nk youth of tomorrow. 

Steady when dry

Red,as a colour of danger,found across many cultures,also represents the many possibilities of usage. The plaque reminds passer's by, of the imminence of slipping when the surface is wet,akin to life, where a number of problems tend to sway even the steadiest of all.
I like the contrast between the colour Red which cautions to the danger of slipping and the ballet like stance of the bike as if it's silently resolving to stay dry and balanced. 

the other side

The Other Side has been a subject of many a Seance ,yet we know nothing of the life there after.
The other side is an enquiry held by many,never as ardently as by spiritualist,Thomas Lynn Bradford,
in 1921,who, with a quest to find proof of after-life,gave a newspaper advertisement in a Detroit newspaper ,"I would like to prove the existence of After-Life,anyone with a similar disposition,please contact below."

Ruth Murraine, a psychic responded ,agreeing to be an accomplice, who he befriended before committing suicide by asphyxiating himself overnight.

Thomas Lynn Bradford's theory was if one of two friends;Thomas in this instance,would die and come back from the after-life to communicate, whilst the other waited for a sign ,from beyond,together they could uncover what death really meant.

To her credit,the pyschic,Ruth Murraine ,inspite of the convenient oppurtunity to meet the public anticipation with an affirmative nod,never claimed to have received any communication from Thomas Lynn Bradford,from the other side.

In this composition,a muslim friend finishing Namaaz,inspired me, as one might never know what lies beyond walls,beyond religions,beyond geographical boundaries,beyond life,but should that keep us from having faith? 

depths and peaks!

I wanted to explore the paradox of the existence of opposing forces,at all times.
The likelihood of reaching a Peak;in this instance ,Canary Wharf in the background,the Banking Hub of London,also symbolises the depths awaiting beyond,as someone has aptly said,"Once at the Top,there is no way out but Down!" 

peaks and depths

But then again,they say there is place for very few at the top,so once there,why not enjoy the Ride? The contrast between peaks and depths is akin to day and night with Canary Wharf becoming ever more luminiscent when there is no sun to steal its limelight. 

true reflection

a friend once made a very good analogy of mirroring."If two persons come out of a building on fire,one with a clean face whilst the other ash covered,who do you think would wash their face first?" Answer - "The one with the cleaner face!" Why you might ask- simply put ,if others are a reflection,it is never clearer than in this instance ,when the one with the blackened soot filled face looking at the clean faced person,assumes ,"my face must be clean too." My exploration continues as every time I see myself judging a quality I dislike in another,I jump at the possibility that ,it just might exist in my dormant character,only I fear acknowledging the same.

"Please Let me Fly.."

Harry, my sister always used to quote, "If you love something,set it free,If it comes back to you ,it's yours. If it doesn't, it never was!" Watching a mother daughter relationship is akin to a bird leaving the nest for the first time. If the bird flies away, there is a possibility of loss sufferred by the Mama bird, whilst on the other hand, if the bird never flaps its tiny wings and attempts a maiden voyage, it might never learn how to fly?

"i can Fly "

One is on the verge of take off,the other quotes "Caution,Slippery when wet." 

"You said you would Let me!"

       Pride and preju - dice !

three is a crowd?

I have an ongoing(it rolls forward each year -almost akin to a bad & doubtful debt ) Enquiry into threesomes- I wonder if three people can really ever become good friends in an equal measure. There is a saying in Russia,"Three people can keep a secret if two of them are dead." Here,a casual after dinner walk with three good friends,turned into an excellent sketch,as one continues to walk ,whilst the other two, curious,paused and looked back.

Stand by Me

If three is a crowd,then is two company?
Here,my eye caught the hexagonal stance in this conversation expressed by the body language between two friends as they talked.
One with head slightly bent,body language turned into the other and standing facing them,saying,"Stand By Me."
Whilst the other facing the road with only the head turned sideways,as if saying,"Walk with me." 

When I believed

When I believed I can,I could.

Walking around loaded with a D5000,I often caught my self-doubt creep in.Will I ever be able to frame good shots?

Then,just as i was making peace with my critical self,I looked up at the clear blue sky and took this.It was a coming of a full circle experience, as my enquiry into religion and god has lead me away from the houses installed to worship either.
However, Why not acknowledge the existence of different possibilities and let Nature and man-made share the frame and meet mid-way? 

night or day,letz sail away!

So throw off the bowlines. Sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover. Challenge: Mark Twain